Muhammad rafi special on radio ceylone skin#

The beat patterns are complex yet riveting. So, while the beat remained the same, its complexion radically changed, as did the songвЂ™s. But in the hands of OP Nayyar, the beat pattern went through an earthquake. He will provide the beat pattern which would be simple and linear. Take вЂYeh Haseen Dard De DoвЂ™ (Humsaya, 1968). It adds zest and frothiness to the heroвЂ™s romantic quest.ДЄlmost all Hindi film songs have beat patterns which are straight and regular. Or during вЂKaise Pehchanun Ki Naam Nahin JanunвЂ™ from вЂ Lakhon Hain Nigah MeinвЂ™ (Phir Wohi Dil Laya Hoon, 1963). The song would have been flat without it. Just hear вЂAayiye MeherbaanвЂ™ (Howrah Bridge, 1958) when Asha croons вЂIshq Ke ImtihanвЂ™. OP Nayyar used it extensively in his songs, and how! The songвЂ™s complexion changed. Take for example вЂ“ вЂBanda Parwar Thaam Lo JigarвЂ™ (Phir Wohi Dil Laya Hoon,1963), вЂZara Haule Haule Chalo More SaajnaвЂ™ (Saawan Ki Ghata,1966), вЂYun To Humne Lakh Haseen Dekhe HainвЂ™ (Tumsa Nahin Dekha ,1957), вЂPiya Piya Mera Jeeya PukareвЂ™ (Baap Re Baap ,1955), and many others.Д¬astanets are a Spanish percussion instrument consisting of two round pieces of wood or shell which are held by the fingers and clicked together in rhythm to music and dance. Think tonga, and OP NayyarвЂ™s name invariably comes to mind. He popularized it so much that it is now indelibly linked to him. It was a delight to hear OP Nayyar explain the intricacies and nuances of his extraordinary вЂoff -beatвЂ™ offering to the Hindi Film Song.ДЇirst the tonga beat. His innovations in the percussion section were so revolutionary, and catchy, that they became his trademark. The foremost contribution of OP Nayyar to Hindi film songs was rhythm. OP Nayyar used it as a fast-flowing brook вЂ“ still soft but now more insistent вЂ“ in the prelude to вЂJaayiye Aap Kahaan JaayengeвЂ™ (Mere Sanam,1965). The beat allotted to it by music composers was gentle. Hear вЂYeh Kya Kar Dala TuneвЂ™ (Howrah Bridge, 1958), and вЂAankhon Hi Aankhon Mein Ishara Ho GayaвЂ™ (CID,1956). You could hear it sing joyfully, to be released from typecasting. He gave it a feel-good melody, a fast pace. OP Nayyar took the sarangi out of the confines of the kotha and let it soar into the sky from being an adjunct to a dirge, he transformed it into an upbeat musical instrument. Till вЂThe DisruptorвЂ™ came along and changed all rules of Hindi film songs. The poor sarangi! Hindi film music had accorded it a rather limiting role - either in the kothas or as mournful accompaniment to melancholic songs. The use of the accordion, clarinet, cello, piano, sarangi, dholak, and santoor imparted a wide and innovative spectrum to his orchestration. The murkis, the harkats, the khatkas, the taans which embellished his tunes take on a new meaning. But his music has stood the test of time and continues to fascinate me and millions of his fanatic followers.Д®ach time I hear his songs, I discover something new - a subtlety here, a finesse there. Of course, when one is young, everything appears larger than life. He brought the folk and the modern together in perfect harmony. The songs were playful and naughty, seductive and sensuous. His songs were bewitching, easy on the ears but difficult to reproduce. His music had a robustness and a rhythm which set him apart from the other composers. Our friendship lasted several years till the day he died I would meet him frequently, and over time, befriend him. It was 16th January 1998 - his 72nd birthday. Instead, I just sat tongue-tied the whole evening, imbibing every word he uttered. Millions of questions swirled in my mind as I stood before my childhood idol. Introductions over, he politely asked me to take a seat. Sitting on an easy chair, a glass of whisky stood by his side.

Muhammad rafi special on radio ceylone skin#

Despite his advanced age, his bearing was erect, eyes piercingly sharp, mind alert and skin had a pearly glow.ДЄttired in a white buttoned-up shirt, white trousers, white shoes, and a quaintly incongruous black hat, he was barking an order to the hotel waiter. I was struck by the aristocratic aura surrounding the man.